Sometimes there's a book that does something intentionally and you know why it did it conceptually and you're still like yes but please give this to me???? And that is how I feel about this book and the lack of a map at the front.
Every other book that GGK has written has a map at the start. It grounds you in this shared universe that he's created, which is essentially a fictional Europe and Middle East and North Africa that he can play with freely. And this book is about the version of Britain and the Vikings in 9th century or so, and I understand why the lack of a map reflects the mists and unknown glens and so on and so forth, but I would like to have my narrative bearing!!!
Anyway. I love this book very much; many of Kay's books are about fathers and sons, and legacy, and above all else how chance encounters and timing changes the course of history, but this one has some of the most affecting scenes and develops those themes in ways that continue to stay with me. It's a book I reread hoping that I've misremembered some things about, so I don't have to experience that pain again, but by the end I'm so happy with where the story goes that I've accepted going through that pain. And there's a lot of hope in that.
Grade: A